Thursday, September 17, 2009

128GB Flash Voyager GT Corsair unveils



Remember the good old days where USB flash drives came in capacities of Megabytes (MBs)? Well, those days are long gone and have been replaced by Gigabytes (GBs), and we’ve seen the number jump from 1GB to 2GB, 4GB, 8GB, 16GB, 32GB and even 64GB.

It does make me wonder just how hard finding stuff on it will become in the long run with something so huge to sift through. Well, Corsair has clearly upped the ante yet another time by releasing their latest USB flash drive known as the 128GB Flash Voyager GT, making it the fastest high capacity 128GB USB flash drive in the world at the same time. This new Flash Voyager GT works differently since it is based upon a revolutionary design which relies on a unique dual-controller architecture in order to achieve SLC-levels of performance using MLC NAND flash memory. According to Corsair, the 128GB Flash Voyager GT can hit read speeds of up to 32MB/sec and write speeds of up to 25.6MB/sec, where the bottleneck has been pointed at the speed of the USB 2.0 bus and operating system overhead.
The 128GB Flash Voyager GT will come with a durable and water-resistant rubber housing that adds extra protection to the drive against accidental damage, while the racing-red ‘GT’ styling continues to be the trademark of Corsair’s ultra high-performance products.
If you’re interested in picking up the 128GB Flash Voyager GT, it is readily available from Corsair’s authorized distributors and resellers worldwide, and each purchase will actually come with a 10-year limited warranty for added peace of mind. Have you ever gave a thought and wonder just how large USB flash drives can get in 10 years’ time? We’re betting it will be in the Terabytes (TB), just in case you’re a gambling person.

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Logitech Anounce the Remote Harmony 900



Remote controls have become a staple device for many of us these days, and more often than not there will be a tussle among family members for essential remotes in the living room at prime time for obvious reasons. Logitech themselves have delved into the world of remote controls in the past, and they show no signs of slowing down in that department.

Recently, the Swiss company has rolled out the Logitech Harmony 900 remote that boasts redesigned RF technology, a full color touchscreen display alongside intuitive button layout to help even newbies get used to it as soon as possible. The Logitech Harmony 900 remote relies on rechargeable batteries to keep it going, allowing you to enjoy a whole range of entertainment from movies to games and music even when the respective components are located safely behind cabinet doors.
The Logitech Harmony 900 remote’s redesigned RF system turns you into a mini living room deity, capable of controlling an entire cabinet’s worth of devices and appliances as long as they remains within a 100 foot radius. This remote also allows you to wield such powers without getting bogged down by hassles and problems that are normally associated with RF setups. All you need to do is place the IR blaster that comes with each purchase alongside one or two of the mini blasters on the cabinet shelves near the devices that you want to gain control and you’re good to go. The color touchscreen devices allows you to choose your device of choice with but a gentle touch of the finger, and when the setup process is complete, you’re able to control everything programmed inside even with the cabinet doors closed.
Expect the Logitech Harmony 900 remote to arrive in the US and Europe later next month for $399.99 a pop, where it will be accompanied by a recharging cradle, rechargeable battery, power supply, IR blaster and two mini blasters. Logitech has plans to roll out more blasters and mini blasters online in selected regions.

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Wednesday, September 16, 2009

Elecom Mouse Soap won't Clean Hands



When one hears of a soap mouse, most would just figure it’s some geeky mouse shaped soap. After all, there have been a few different mouse shaped soap bars that have hit the market. Well this mouse is the exception to the rest, it’s a mouse made to resemble soap. You might be wondering why someone would create a mouse that looks like soap and it’s a valid question. Although, finding out just where this mouse is being sold, pretty much explains everything.

Yes, this is another strange product straight out of Japan. To be a touch more specific, these are coming from Japan’s Elecom. This USB mouse won’t make your computer gadgets sanitary, but it does function just like any other normal mouse. It appears the design is actually pretty new, so there isn’t a whole lot of purchase information out there. Even if there was pricing info on it though, it’d be difficult to get your hands on if you’re living outside of Japan.

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Riddex Talking Dog Collar does double duty



Watching movies with a talking dog?.. now heres your chance...

Most dog collars have shiny metal dog tags listing where the dog comes from and lets whoever know that’s found him that they are up to date on their shots. This one lets people know in a slightly different way. Instead of reading something, it tells it out loud. Which does seem a little silly, but it does even more than that. It also makes sure to keep your dog pest free and comfortable.
The collar uses safe ultrasonic pulses that will repel any fleas from attaching themselves to your dog. It’s an odd way to get rid of fleas, but if it works then it’d save you money on having to apply something on a regular basis. The message you’ll record yourself and you can give any of the information necessary to help someone return your pet to you. It doesn’t state how long of a message you leave, but you’ll have enough room for basic info. When you purchase this the batteries are included and it will cost you $24.99.

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Lil Mama apologizes for crashing Jay-Z's VMA performance



The 2009 MTV Video Music Awards were full of surprises, and interruptions. The now infamous outburst displayed by Kanye West as Taylor Swift accepted her award for Best Video, has become the hottest topic among news media and bloggers alike, even upstaging the death of Patrick Swayze.

However, Mr. West wasn’t the only artists who wanted to be seen Sunday night. New York based rapper Lil’ Mama, who’s best known for being a judge on America’s Best Dance Crew, crashed the stage during Jay-Z and Alicia Keyes’ performance of their hit single ‘Empire State of Mind’. According to Jay-Z's rep, Lil Mama's on-stage presence was not scheduled on the billing.
Lil’ Mama came onstage toward the end of the song and even struck a pose with Hov and Keyes, after Jay had gestured for her to chill out seconds earlier and joked she was "T-Paining." On Monday afternoon (September 14), Lil’ Mama sent MTV News a statement via her manager explaining the incident.
"I did not mean any disrespect towards Jay-Z or Alicia Keys," the statement reads. "I admire them and look up to them as role models. 'Empire State of Mind' had my emotions running high. In that moment I came up onstage to celebrate my two icons singing about NY."
By Tuesday afternoon, Lil' Mama had more to say.
"I didn't know what Jay said," Lil Mama explained in an interview. "I thought he was like, 'OK, enjoying the moment with me, interacting,' which was after I walked up. But after watching it from home, watching myself on the Internet, I'm bouncing and I'm coming up toward Jay-Z and he's backing up. And my emotions at the time was like a vibe, like, 'Yeah, New York.' I was definitely caught up in the moment. He was backing up and when I got home I realized [he said], 'Oh, you gonna T-Pain it, huh.' I realized it when I got home. Now that I'm home, I was like, 'Wow, Jay-Z wasn't feeling it.' I would never get up there and try to disrespect Jay-Z or take a moment that someone else created and try to live it. I'm too original for that and I respect him too much for that. To Jay in particular, as a Brooklyn native -- who I am also -- in that moment it was nothing but respect and honor...It was a joyous moment. Whenever we share happiness or a celebration takes place, usually it's graceful, it's never to disrespect. I never meant any harm. I was enjoying myself and I was enjoying his performance. I got love for him and I love you, [Jay-Z]." (MTV)
Mama has caught it pretty hard over the past few days on the Internet. The topic "lilmamais" blew up and was even the top Twitter trend for a few hours.
Fabolous was one of the celebs having fun with the moment, chiming in on his Twitter page. "#Lilmamais like the dude that parachutes down on the field during a game!" Fab tweeted. "#Lilmamais gonna get security at the stages of every award show from now on. #Lilmamais the bird that flew outta Lady Gaga's nest on her face!!"

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Taylor Swift Recounts Kanye West VMAs Incident on “The View”



Two days after becoming the victim of Kanye West’s stage intrusion at the MTV Video Music Awards, Taylor Swift appeared on today’s episode of The View to talk about what was going through her mind as Kanye hijacked her acceptance speech for Best Female Video. “I think my overall thought process went something like: ‘Wow, I can’t believe I won…

his is awesome… Don’t trip and fall… I’m gonna get to thank the fans, this is so cool… Oh, Kanye West is here!’,” Swift told the ladies on The View, “‘Cool haircut… What are you doing there? And then, Ouch. And then, I guess I’m not gonna be able to thank the fans.’ ” (Watch Swift recount the moment in the clip above).

VMAs 2009: look back at the big show’s memorable moments.

Swift was reportedly in tears backstage after the infamous moment, but the VMAs schedule forced her to make a quick recovery. “I’m not gonna say that I wasn’t riled by it. I had to perform live five minutes later, so I had to get myself back to the place where I could perform,” Swift said, adding that she was overwhelmed by the amount of support she received in the moments after the incident. (the subway part of her performance was pre-taped, but Swift sang live outside the venue atop a taxi the night of the Awards.) “There were a lot of people around me backstage that were saying really incredible things and just having my back. And all the other artists that came and showed me love in the hours following it, and all the people tweeting about it and all the fans… I just never imagined that there were that many people out there looking out for me, so it was really wonderful to see that people were out there defending me so I didn’t have to.”

As Rolling Stone reported last night, Kanye said on The Jay Leno Show that he wants to apologize to Swift face-to-face for his behavior at the VMAs, and while Swift told The View she’d definitely meet with him, West has yet to reach out in an effort to apologize. Swift added she hasn’t received any phone calls or e-mails from the Kanye camp, either. West did call himself a Focker in a blog apology, however.

UPDATE: Kanye West must have been watching today’s episode of The View, because according to TMZ, moments after Swift appeared on the show, the rapper reportedly called up Taylor to apologize for his actions at the Video Music Awards. Swift had said during her segment that, despite West’s apologies on both his blog and The Jay Leno Show, she hadn’t personally received a phone call from the rapper. Reps at The View say that Swift accepted West’s apology.

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VMA Picture of Lady Gaga



Lady Gaga’s VMA outfits were a Victorian-inspired, high-drama, campy celebration of lace and embellishments — metal collars, wild wigs, masks, feathers, and a fantastically liberal application of pearls and other appliques in ways they were previously never meant to be worn. (Unless you’re the type of lady for whom wearing embroidery loops is commonplace.)

Gaga arrived on the VMA carpet looking like she’d attended a Phantom Of The Opera-themed drag show. Positively funereal chic.As promised, Lady Gaga brought a VIP guest with her to the VMA red carpet: Kermit the Frog. How he was dragged into this, I’ll never know. He left before the blood bath.Lady Gaga accepts the Best New Artist VMA for “Poker Face,” and we literally could not see her poker face underneath because someone forgot to cut eye holes out of her dress. You could, however, see straight through to her nips.Gaga performs “Paparazzi” and she totally phones it in. Zzz. This chick’s like watching paint dry… JUST KIDDING. She rocked the Radio City stage so hard she freaking BLED TO DEATH! Side note, these are some of the most bad-ass performance photos since Jimi Hendrix lit his guitar on fire. Here, let’s take a closer look at Gaga’s bloody show.

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Big Brother Season 11 Crowned Winner



Big Brother 11 was the eleventh season of the American reality television series Big Brother which premiered July 9, 2009 with the season finale airing on September 15, 2009 on the CBS television network. The show airs three times a week: Sundays at 8 p.m. (ET/PT), Tuesdays at 9 p.m. (ET/PT), and Thursdays at 8 p.m (live ET/delayed PT). The eleventh season lasted 73 days, an increase of two days over the previous season.[1][2] Julie Chen returned as host, and Allison Grodner, Rich Meehan and Scott Einziger are the executive producers. The show is produced by Endemol USA and Allison Grodner Productions.

LOS ANGELES — Jordan Lloyd was served the $500,000 grand prize on "Big Brother 11."
The goofy 22-year-old waitress from Matthews, N.C., bested Natalie Martinez, the scheming 24-year-old recent college graduate from Gilbert, Ariz., on the season finale of the voyeuristic CBS reality show.
Lloyd received the most votes from the show's seven-member jury, which included viewer votes as the possibly tie-breaking seventh pick for the first time.
THIS IS A BREAKING NEWS UPDATE. Check back soon for further information. AP's earlier story is below.
LOS ANGELES (AP) — Natalie Martinez may have told her last lie in the "Big Brother" house.
The only way the scheming 24-year-old from Gilbert, Ariz., will have a shot at the CBS reality show's $500,000 grand prize is if one of the remaining competitors chooses her to battle against for winning bids from the "Big Brother 11" jury, which will include viewer votes as a possible tiebreaker.
After besting Martinez in qualifying bouts last week, Jordan Lloyd, 22, from Matthews, N.C., and Kevin Campbell, 29, from Chula Vista, Calif., will tussle during Tuesday's finale in the last Head of Household competition. The winner will choose his or her opponent.
Martinez has primarily spent the season deceiving her opponents. Her biggest fib was fooling most of the contestants — or houseguests, as they're called on the show — into believing she was an 18-year-old recent high school graduate. But she fumbled last week in a poorly constructed lie about being awarded a visit from her boyfriend inside the house.
The two-hour finale will also feature the jury's interrogation of the final two and a reunion of the 13-member cast — except for Chima Simone, the 33-year-old freelance journalist who was expelled after tossing a microphone into a whirlpool spa. Because Simone won't be part of the jury, viewers have been asked to cast the possibly tie-breaking seventh jury vote.

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Tuesday, September 15, 2009

If you Want Peace, Prepare for War (Si vis pacem, para bellum)


Do we have to go in war just to learn peace in one country?

THE LATIN motto Si vis pacem, para bellum (if you want peace, prepare for war) was emblazoned on the Imperial Ministry of War in Vienna. It reflected a security approach now every bit as extinct as the Austro-Hungarian empire. We have happily, if somewhat accidentally, moved beyond inter-state wars. As with all changes, this good news is tinged with feelings of insecurity about the unknown

Divide a sheet of paper into two columns. List all those your country might attack in one column and all those likely to attack your country in the other. Both columns will come up blank for the overwhelming majority of people whether they live in Ballinasloe, Bangkok or Buenos Aires.

Dick Cheney, as US vice-president, clearly demonstrated his belief in military power as the primary tool of statecraft. He continues to argue for US military intervention in, for example, Iran – while claiming that the systematic use of torture is vital for the defence of the United States.

A similar, if inverse logic, appeared in Eoghan Shorthall’s letter to the editor of September 9th where he advances the hypothesis of EU battle groups being used under Article 28 of the Lisbon Treaty to combat terrorism in support of a future US invasion of Iran or Syria. Although terrorists of one hue or another, citing their deities or spurious mandates from long-defunct assemblies, remain as dangerous as they are ludicrous – as the 275kg Forkhill bomb reminds us – such a scenario flies in the face of experience, capacity and reality.

New realities oblige humanity to blend its two traditionally separate security paradigms – “security with” and “security from”.

“Security with” comes to us from our distant ancestors who felt secure in their small family groups and later in their clans. It is a feeling which has become instinctive, feeling safe with people you know, on your street, in your town or even in your country.

“Security from” is the flip side. Since you felt secure in your group, there was an argument for preparing to defend it from the actions of the cattle-raiding clan in the next valley. “Security from” reached its nadir during the Cold War confrontation that dominated global politics for much of the second half of the 20th century. Almost every conflict and many governments were analysed, tagged and treated in function of their degrees of support for, or inclinations towards, one camp or the other.

At its core lay a scenario where the armed forces of Nato and the Warsaw Pact would slug it out on the plains of Germany in a mobile battle involving tens of thousands of tanks and thousands of combat aircraft, with the genocidal shadow of global thermonuclear war ever-present in the background.

The various permutations all involved a race between Warsaw Pact forces reaching Europe’s Atlantic ports in time to prevent the arrival of massive US reinforcements. The security policies and arms procurements of those concerned reflected this through significant investments in ever more sophisticated tanks and aircraft.

In that context, neutrality was one plausible “security from” approach. Then, in 1991, the unpredicted, the almost unthinkable, happened – the Soviet Union collapsed, the Warsaw Pact dissolved, taking the menace of global war with it.

States found themselves with expensive armed forces configured and equipped to fight a war that was no longer possible. Significant, if often unannounced, reductions in defence expenditure became the norm. Military service was progressively abandoned, major equipment replacements shelved, inventories run down and training cut back.

The real political challenge of determining what security policy might mean in our new world was marginalised when it was not completely avoided. As we faced bitter conflicts of considerable barbarity, from Yugoslavia to Darfur, this absence of policy made itself painfully felt.

States, having failed to develop new security approaches and instruments, were obliged to fall back on their armed forces – forces which not only lack appropriate training and equipment, but also much of what they do have no longer works.

Internal German army documents about the Bundeswehr mission in Afghanistan bemoan the fact that over half its deployed armoured vehicles cannot be used because of “missing replacement parts and insufficient repair resources”.

Even when the vehicles do work, many drivers lack off-road training.

Melding the traditional external “security from” approach into the local “security with” one is a common global challenge. It involves dropping some traditional military approaches – the UK stopped tank production this year – with the creation of new structures and the elaboration of new policies.

Today’s security threats come in many guises, including financial meltdown, economic recession, social inequality, food insecurity, climate change, epidemics, migration, and terrorism. They require a much broader and more comprehensive response within which military action can only be one element, however vital.

A primarily academic contribution to this process comes from the UK’s Oxford Research Group and its 2006 Global Responses to Global Threats publication. This group has launched a new website (www.sustainablesecurity.org) dedicated to exploring these issues.

On the far side of the Atlantic in Rio de Janeiro, a more hands-on dialogue on very similar themes has begun. It involves humanitarian bodies, government officials, UN staff and Brazilian military commanders and is organised by Viva Rio, a non- governmental organisation that began life in 1993 in response to Brazilian street violence.

The dialogue seeks to build on the generally positive experiences of the Brazilian-led UN mission in Haiti, a dialogue in a country which itself suffered under military dictatorship 1964-1985. A problem for those locked in the past is that military neutrality is a completely obsolete concept when it comes to developing a planetary “security with” approach.


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America's Got Talent 10 Finalist 2009



from left to right

America's Got Talent is a British owned American reality television series on the NBC television network. It is a talent show that features singers, dancers, magicians, comedians and other performers of all ages competing for the advertised top prize of US$1 million. The show debuted in June 2006 for the summer television season. Starting in the third season, the Talent top prize included US$1 million, payable in a financial annuity over forty years (or the present cash value of such annuity), and a show as the headliner on the Las Vegas Strip.


Recycled Percussion (Goffstown, New Hampshire): Ryan and Justin are not only cousins but also the drummers; James joins them on guitar and DJ Todd rounds out the group that is rightfully called Recycled Percussion. For the past 10 years they have been creating their unique style of music with just about anything they can get their hands on — everyday household objects like ladders, buckets, trashcans and even metal grinders! This high-energy group promises to bring every ounce of rock and roll to the “America’s Got Talent” stage and wants to prove to the world that it doesn’t matter where you come from, it’s more important where you are going. Recycled Percussion is determined to inspire a drug-free youth to tune in and watch the amazing things you can do when you put your mind to it.


Lawrence Beamen (Walnut Creek, California): Lawrence is a native of the Deep South (Mississippi) and his quiet, humble upbringing is a complete contrast to his booming voice and intense passion for music. The remarkable gift grabbed him at the early age of six and it hasn’t let go. His gospel background was strengthened with classical training and his repertoire grew through discipline and commitment. Lawrence’s sound reflects the great voices that have influenced his musical style: the depth of Barry White, the soul of Mahalia Jackson, the honesty of Bill Withers. His talent as well as his humility have earned Lawrence a place on America’s Got Talent and he hopes he’ll continue to impress both the audience and the judges.


Hairo Torres (Grants Pass, Oregon): Hairo Torres is a 23-year-old breakdancer who was born in Southern California and raised in Grants Pass, Oregon. He began his dance journey at 13 and it has helped transform Hairo’s life for the better. Hairo currently works two jobs — as a clerk at a video store and at a distribution plant — but has dreamed of making a living using the love and passion he feels for his craft. Despite the skepticism he has faced from family and friends over the years, Hairo has continued to practice and to perfect his dance moves. Hairo is taking on the “America’s Got Talent” competition in hopes of capturing his dreams, making his family and friends proud, and inspiring anyone who has hopes and dreams of becoming someone special in this world.


Drew Stevyns (Sykesville, Maryland): At age two Drew learned to sing “Happy Birthday” for his dad’s birthday and, at age five, he asked his parents for a keyboard and piano lessons. When he and his family moved to England in 1989 Drew joined the Anglican choir, was a member of the Royal School of Church Music and was enrolled at the Cleeve Comprehensive School in Gloucestershire, where he performed competitively in the annual Cheltenham Arts Festival.

Returning to the U.S., Drew continued his musical development by taking piano lessons, singing in his high school chorus, and teaching himself to play guitar. After graduating high school Drew worked a variety of jobs: fast food, construction, and landscaping, so that he could continue to pursue his dream of music. While locally he has made a name for himself, he is ready to introduce himself to the rest of America. He feels that his time spent with “America’s Got Talent” is “one of the most interesting experiences of my life and winning the competition would be a dream come true!


Barbara Padilla (Houston, Texas): Barbara Padilla was born in Guadalajara, Mexico where she studied music, acting, and dance. While in college, Barbara was diagnosed with Hodgkins Lymphoma and underwent several rounds of chemotherapy and radiation. During this time, Barbara was told that she might never be able to sing again because the radiation could harm her vocal chords. But she would not give up her dream.

After traveling to Houston for a consultation with doctors, Barbara had the chance to audition for the Moore’s School of Music at the University of Houston. She was awarded a full scholarship where she completed the Master’s Degree program, all while battling cancer. She was in treatment for several years and was near death on more than one occasion. Her faith, family and friends helped her through those difficult times.

Barbara is now in remission, living in Texas with her husband and beautiful three-year-old daughter. She feels incredibly blessed to have survived cancer and is ecstatic to be a part of America’s Got Talent.


Texas Tenor (Houston, Texas): In April of 2009, best friends Marcus Collins, JC Fisher, and John Hagen learned that “America’s Got Talent” was coming to Texas for auditions. Though they had moved away from each other because of family obligations, they thought coming out to audition would be the opportunity of a lifetime. With various backgrounds in the performing arts, they decided to combine their individual talents and become The Texas Tenors. Mixing country and classical music with their own Texas Tenor flavor, they auditioned with aspirations of winning over the judges and sharing their fresh new act with all of America. JC, a family man with his Texan wife and two sons, currently lives in Kansas. Born and raised on a cattle ranch, he relies on his family’s strong foundation of hard work and faith to guide his everyday life. John, considered the rock of the group, brings a wealth of classical music training along with his baritone voice. He divides his time in Texas performing, spending time with family, and running a small art gallery in Cedar Falls, Iowa. Marcus adds a contemporary flair to the group with his unique pop voice and boyish charm. Marcus splits his time between Houston and Sun Valley, California, to be close to his mother and grandparents on the West Coast. As the name of the group suggests, performing together on America’s Got Talent affords them the chance to do what they love, and represent their deep-rooted love for the Lone Star State.


Grandma Lee (Jacksonville, Florida): Lee was born in Oklahoma City, Oklahoma back in 1934. After graduating from Otterbein College in Ohio, she a married a career Marine, Ben Strong, and spent the next 20-plus years raising their four children and traveling around the world. As her kids grew up, Lee worked a series of jobs, including newspaper reporting and as an operator for directory assistance. In May 1995, Lee lost her husband to cancer. To help her cope, Lee began attending a local comedy workshop. Since then she has been making people laugh all around the country. Her goal on “America’s Got Talent” is to help older people realize that it’s never too late to follow your dreams.


Kevin Skinner (Orlando, Florida): Kevin Skinner is a singer/songwriter born and raised in Kentucky, where country is a way of life. He picked up the guitar at 12 and has never put it down. Kevin quickly realized that conveying his feelings through his songs was a very special gift. Music is a powerful potion that Kevin loves to share. He said that winning “America’s Got Talent” would be a great gift, but just being a part of the show is something that he will never forget.


Voices of Glory (Highland, New York): The Voices of Glory are a group of siblings whose unique style of singing harmonies makes them stand out. Michael, Avery, and Nadia started singing together in 2007 after their mother, Felicia, was in a head-on car collision with a drunk driver. She was seriously injured and in a coma. They serenaded their mother for months and she eventually came out of the coma and started rehabilitation. This wasn’t the end of the kids’ singing, however. They started traveling to nursing homes and other hospitals in an effort to help other patients. Participating in “America’s Got Talent” is very important to this group because they want to show their family how much they inspire them.


Fab Five (Morgan, Utah): From a dairy farm in rural Utah where life consisted of raising wheat, cows, and family, came five fabulous sisters who could accomplish daily dairy chores in the morning and dance like wildfire at dusk. Nearly three decades of dancing has brought tours, trophies, husbands, and kids. Ultimately, the sisters’ lives have been filled with smiles and tears: their father lost his farm to economic hardships, a child with severe Cerebral Palsy and another with kidney disease, but through it all, family and dancing were there. A win on “America’s Got Talent” would give them the chance to give back to their father and provide significant help for their families. Win or lose, The Fab 5 are forever family strong.



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